A propos de Vũ Cao Đàm:
Vũ Cao Đàm (1908-2000) was a Vietnamese painter. He was one of the alumni of Victor Tardieu's École des Beaux-Arts de l’Indochine in Hanoi in the 1930s, along with Mai Trung Thứ, Lê Phổ and woman painter Lê Thị Lựu to emigrate to France and make a career in Paris.
Vu Cao Dam was born on January 8, 1908 in Hanoi, Vietnam. A member of a large Catholic
family, the artist was the fifth of fourteen children. His father, Vu
Dinh Thi, was an intellectual and talented artist who excelled in Chinese calligraphy at an early age. His extensive studies of the French language, as well as a trip to Paris in 1889, left Vu Dinh Thi with a long-lasting fondness for French culture. This affection was passed on to his children, and Cao Dam would develop his own deep admiration for French art. Throughout his career, Vu Cao Dam continually looked to the work of French artists for inspiration.
In 1926, eighteen-year-old Vu Cao Dam entered the École des Beaux-Arts d'Indochine as a sculpture student. Through the teachings of Victor Tardieu,
he was introduced to Western oil paintings and sculpting styles.
However, students were also encouraged to be Vietnamese painters,
sculptors and architects, learning traditional techniques such as
painting on silk.
As one of two students in a brand new sculpture
department, Vu Cao Dam excelled in modeling busts. Over the course of
the five-year program, the emerging artist created numerous bronze
pieces including: Tete de Jeune Fille, 1927; Young Peasant Girl, 1927; a
bust of his father, Vu Dinh Thi, 1927; Rooster, 1927; Bust of Victor
Tardieu, 1928; and Head of a Man with a Mandarin Hat, 1930. The bronze
bust of Victor Tardieu was later donated to the Ecole des Beaux Arts
d’Indochine by the Tardieu family.
Upon graduating from the fine arts school in 193l, Cao Dam received a scholarship that sent him to France
to continue his studies. This journey to France would be a significant
turning point in his life, as Vu Cao Dam would never return to his
homeland of Vietnam. Cao Dam settled at the Cite Universitaire in Paris,
and was soon invited to participate in the 193l Exposition Coloniale
Internationale at the Angkor Wat Pavilion by its art director, his old
mentor Victor Tardieu. He then enrolled in the Far East section of the Ecole du Louvre.
Within the walls of the great museum other galleries scattered around
Paris, Vu Cao Dam was able to view and study the great European
masterpieces. He made great discoveries in the works of Renoir, Van Gogh, Bonnard, and Matisse, as well as the sculptural creations of Rodin, Despiau and Giacometti. As a young artist in his formative years, the art of Paris was a fantastic source of learning and inspiration. Impressionist and Post-Impressionist elements would always find their way into Vu Cao Dam’s future creations.
The War Years:
When World War II broke out, Vu Cao Dam was forced to interrupt his work in bronze casting, as all metal was claimed by the German army occupying France.
As a result, the artist turned his concentration to other mediums and
produced some of his finest paintings during the war period. By 1946 the
artist was becoming increasingly well-known and appreciated in Parisian
art circles. That same year Ho Chi Minh, President of the newly declared Democratic Republic of Vietnam, arrived in Paris. Vu Cao Dam met with the Vietnamese leader and modeled a bust after him.
health reasons, Vu Cao Dam made the decision to leave Paris in 1949,
and move to southern France. Moving his family to the villa Les Heures
Claires, the artist settled just down the road from Matisse’s Chapel and only a mile away from where Marc Chagall was living in les Collines. Cao Dam was not only influenced by Chagall and the other members of the Ecole de Paris, but by the Art Brut artists as well, including Dubuffet
and Malaval. The light and atmosphere of southern France also proved to
be a heavy influence on Cao Dam’s paintings from this period.
In 1954, he presented his paintings at the Les Amis des Arts gallery in Aix en Provence. Paul Hervieu, the dealer and owner of a gallery in Nice,
struck up a friendship with the talented Vietnamese artist, and began
exhibiting his paintings regularly in Nice as well as overseas,
especially in Sweden. Around this time Vu Cao Dam met the famous tailor, Michele Sapone.
Filling his shop on the Rue de Chateauneuf in Nice with over 450
paintings and drawings by different artists, the Italian immigrant
exchanged tailored suits for these artworks.
In 1960, Cao Dam exhibited his paintings in London at the Frost &
Reed Gallery, and three years later his work was presented in Brussels. The artist then signed an exclusive contract with Wally Findlay Galleries in the United States.
His art:Vu Cao Dam balanced the qualities of traditional Vietnamese painting, and certain characteristics of Western painting.
With the exception of some landscapes, Vu Cao Dam concentrated his
talents to figure painting. The women and young girls of his native
country, along with its folklore and poems were his favorite subjects.
These women are often the only dark elements within a composition of
lighter colors and delicate tones.